Paul Desmond: Glad To Be Unhappy - Full Album Review

Hey jazz lovers! Let's dive into a timeless classic: Paul Desmond's "Glad To Be Unhappy." This album is more than just a collection of songs; it's a smooth, sophisticated journey through the heart of cool jazz. For those unfamiliar, Paul Desmond was a legendary alto saxophonist known for his lyrical improvisations and velvety tone. His work with the Dave Brubeck Quartet cemented his place in jazz history, but his solo work, especially "Glad To Be Unhappy," showcases his unique brilliance. What makes this album so special? Well, it's a combination of Desmond's impeccable playing, the carefully selected tunes, and the overall mood that it creates. Think late nights, smoky clubs, and introspective moments – that's the essence of "Glad To Be Unhappy." Paul Desmond's "Glad To Be Unhappy" stands as a quintessential album in the cool jazz repertoire, celebrated for its understated elegance and emotional depth. Released in 1965, it features Desmond's signature alto saxophone sound, characterized by its airy tone and melodic inventiveness. The album's title track, a classic tune, sets the tone for a collection of standards and lesser-known gems, each rendered with Desmond's distinctive touch. The ensemble playing on "Glad To Be Unhappy" is a masterclass in subtlety and interplay, with each musician contributing to the overall atmosphere of relaxed sophistication. Desmond's solos are models of lyrical improvisation, marked by their graceful phrasing and harmonic sophistication. He navigates the chord changes with effortless ease, creating melodies that are both memorable and deeply affecting. One of the defining characteristics of Desmond's playing is his ability to convey a wide range of emotions with a minimum of notes. He understands the power of space and silence, using them to create tension and release in his solos. This understated approach allows the listener to fully appreciate the beauty and complexity of his playing. The album's production is clean and uncluttered, allowing Desmond's saxophone to take center stage. The recording captures the warmth and intimacy of the ensemble, creating a listening experience that is both engaging and rewarding. Whether you're a seasoned jazz aficionado or a newcomer to the genre, "Glad To Be Unhappy" is an album that will stay with you long after the final note has faded away.

The Tracks: A Melodic Journey

The album opens with the title track, "Glad To Be Unhappy," and Desmond immediately sets the mood. His tone is soft and melancholic, perfectly capturing the bittersweet sentiment of the song. The rhythm section provides a gentle, swinging backdrop, allowing Desmond's saxophone to soar. The improvisation is thoughtful and restrained, highlighting his melodic gift. As you listen to "Glad To Be Unhappy," you'll notice how each track unfolds like a chapter in a story. From the pensive title track to the upbeat swing of "A Ship Without a Sail," Desmond takes you on a journey through various emotions and tempos. It's not just about the individual songs, but how they fit together to create a cohesive and immersive listening experience. Let's dive into some standout tracks. Of course, we have to talk about "A Ship Without a Sail." This track is a delightful contrast to the title track, offering a bright and breezy feel. Desmond's playing is light and playful, showcasing his ability to swing effortlessly. The rhythm section is tight and energetic, driving the song forward with infectious enthusiasm. Then there's "Here's That Rainy Day," a ballad that's pure emotion. Desmond's tone is particularly poignant here, conveying a sense of longing and vulnerability. The melody is heart-wrenching, and Desmond's improvisation is full of subtle nuances. And who could forget "Blame It on My Youth"? This song is a classic, and Desmond's interpretation is simply beautiful. He captures the youthful innocence and wistful nostalgia of the lyrics perfectly. The arrangement is elegant and understated, allowing Desmond's saxophone to shine. One of the standout tracks is undoubtedly "I See Your Face Before Me." Here, Desmond's lyrical improvisation is at its finest. His saxophone sings with a poignant melody, weaving through the chord changes with effortless grace. The rhythm section provides a subtle yet supportive backdrop, allowing Desmond's solo to take center stage. Another highlight is "Mean to Me," a playful and upbeat tune that showcases Desmond's ability to swing with infectious energy. His solo is full of clever melodic ideas and rhythmic variations, demonstrating his mastery of the bebop idiom. The album also features a stunning rendition of "Then I'll Be Tired of You." Desmond's interpretation of this classic ballad is both tender and heartfelt, capturing the song's message of enduring love. His saxophone soars with emotion, creating a moment of pure musical beauty. Each track on "Glad To Be Unhappy" is a gem in its own right, showcasing Desmond's versatility and artistry. Whether he's playing a ballad or a swing tune, he brings a unique blend of elegance and soul to every performance.

Desmond's Signature Sound

What exactly makes Paul Desmond's sound so recognizable? It's a combination of factors, starting with his unique tone. He had a light, airy sound that was often described as